Selected parts of the process (described in more detail here) at 4x speed! And the printed tree:
Made a tree out of decorative pieces this week! It’s only slightly faster than actually planting a tree.
The materials were a collection of floral pieces that were varied enough to be interesting, numerous enough to cover the area of a 4.25×5 card, and mathematically compatible enough to keep me sane.
I mostly made it up as I worked, laying out rough chunks of the picture…
…and filling in empty space as it came.
All the empty space within the printed area has to be filled with short, non-printing spacing material so that when pressure is applied to its side walls, the whole thing can be lifted and nothing will fall out the unsupported back side.
The back side of the form shows most clearly where all the pieces are arranged, and how many it takes to fill up the grid.
I recorded video of the whole building process—absolutely unfit for human consumption in its raw, hours-long form—which I’ll be editing and putting up later this week. Keep an eye out for it if you’re interested!
The Golding press that sits in our front window has no rollers (and no working brake), and we use it exclusively for scoring, embossing, and debossing: un-inked operations.
Here, we used it to score the folds on a heavy booklet cover. It had a narrow spine defined by two scores, where the paper is indented for ease of crisp and consistent folding.
This means compressing the paper between a blunt steel edge in the bed and a grooved receiving strip adhered to the surface under the paper. The scores were so close together we couldn’t fit two strips of the receiving matrix next to each other. With some very careful math and trimming, we could use one setup for both scoring lines, turning the sheet 180° during the feed to make both sides of the spine fold.
It’s a slow feed, mostly for the fact that when the sheet is fed the second time the bump of the first fold tends to catch on the receiving matrix. But on a careful, short run it’s worth the effort to plan ahead, save time, and avoid making a second setup for another score.
We don’t keep the small, unmotorized presses just because they’re cute! For delicate projects like this, the fine control of speed by treadle operation is an advantage.
In all honesty Forte isn’t the most ideal shop cat we’ve ever had—he will absolutely sit on anything important we leave out incautiously. So we gave him a bunch of very tall shelves and cabinets as a tempting alternative.
And we’re prepared for spring, we always are: at our Etsy store we now have all kinds of cards in bright colors, with flowers and green grass and birds! A whole lot of birds. We’re big fans of birds.
Revel in the incoming weather! Taunt your friends in the autumnal southern hemisphere! Apologize to an ornithologist for us if you have to, we didn’t read a single book to fact-check these renderings.
Blank cards, distinctly not-blank cards, prints, and journals are for sale at our Etsy store. In making these listings it’s come to my attention that our themes are apparently handset type, re-purposed cuts, tough words, and animals.
The online store at present does not have nearly our full inventory! We’re working backwards and will update here as we add more listings. Currently it has Screaming Women and Belligerent Affirmations in completion, several varieties of blank notecards, a small journal, and a silly print about science, art, and the feeling of eh, close enough.
The Winter Sale is back! Saturday, December 2, 10-4 at 3320 Beacon Ave South.
With many returning and some new artists: CyclesPrefect Press, Day Moon Press, Dirigible Press, Fromage a Toi, Ilfant Press, True Bug Press, Waterland Press, and Darius X. There will be printed goods, paintings, jewelry, and more, all handmade!
In 2010, Maralyn Crosetto of Waterland Press and Maura Shapley and Jack LeNoir of Day Moon Press embarked on a joint venture to produce Maralyn Crosetto’s Italian Villa Advent Calendar. The first copies were completed in March, 2011. Continue reading “Italian Villa Advent Calendar: Maralyn Crosetto”